Mill City Museum

704 S 2nd St, Minneapolis, MN 55401, USA

Address:	704 S 2nd St, Minneapolis, MN 55401, USA
Phone:	+1 612-341-7555
Site:	millcitymuseum.org
Rating:	4.6
Working:	10AM–5PM 10AM–5PM 10AM–5PM 10AM–5PM 10AM–5PM 10AM–5PM 12–5PM

Location

Photos 100

Reviews 4

이영준

"Lee Young Jun PEN ART" Pen Art(General Remarks) Infinity of lines and dots have symbolism. Such symbolism is ever changing according to the spirit’s depth. All works are kaleidoscopic; they are usually composed of indescribable expressions. Therefore, art’s depth also can be said to be unlimited. Is pen art’s depth also infinite? In other words, do the lines and dots flowing from the nib of a pen have an artistic qualification? In this respect, it is worth thinking deeply. Pen art begins from an essence of nature’s fundamental values. From the standpoint of value, or color, a harmony of black and white is essential in nature. As it is impossible to see any color in darkness, distinguishing color is an essential role of light. That is why the soul is drawn to light. Whiteness, or light is a spiritual reflection of the soul while blackness, or darkness is a reality of life on earth. As the color green is an essential color of vegetation, burnt charcoal is an earthy color that will stay near black. Blackness is heterogeneous and may be hostile to life. If blackness belongs to the essence of nature, it also may be said to represent the image of death. A combination of black and white constitutes degrees of lightness and darkness. When painting black on a white background, the soul is transported to the white background. Whiteness comes to life when contrasted with black line and black space. In this case, soul also may be expressed through the blackness. Soul may be transported to the black or a combination of white and black, which shed a mysterious merit to the soul or spirit. Pen arts starts and ends from an essence of nature’s fundamental contrasts. The primary essence is infinite and eternal while the artistic harmony of black and white can take one’s breath away. But, this is not possible until a metamorphosis has been realized over many years and spiritual transcendence has occurred. The transfer of spirit occurs when one’s life experiences are projected onto the white canvas in harmony with blackness. That is the true ‘pen art.’ Artist Lee Young Jun I am a Korean. I pioneered the " Lee Young Jun Pen Art " and Perfected the genre. I am Artist Lee Young Jun. Pen Art is the only genre is an important work In the world. The works are extremely valuable. And no one is able to work not dare to imitate. The hope my work can be sympathy to many people. Thank you. "Lee young jun PEN ART 총론" (총론 :總論)PEN ART(Korea) ------------------------------------------- 선과 점의 무한함은 상징성이 있다. 그 상징성은 정신의 깊이에 따라 변화무쌍(變化無雙)하다. 모든 작품이 그러하다. 변화무쌍하기 때문에 형언할 수 없는 표현으로 이어진다. 그리하여 예술의 깊이는 무한한 것이다. 펜의 예술이라고 하면 깊이가 무한함이 있을까? 일반적으로 펜의 끝에서 흘러나오는 선과 점이 과연, 예술성을 갖출 수 있겠는가 라는 점이다. 이점에 대하여 깊이 생각할 필요가 있다. 펜의 예술은 자연의 근본적인 색채의 본질에서부터 시작한다. 색채의 본질에서 보면 흑(黑), 백(白)의 조화는 자연의 근본적(根本的)이다. 조명이 없는 어두운 곳에서는 색을 볼 수 없듯이 색을 구분할 수 있게 해주는 것이 빛의 본질적인 작용이다. 때문에 흰색으로 나타나는 빛 속에서 영(靈)을 이끌어 들인다. 흰색 또는 빛은 영(靈)의 혼적(魂的)인 영상이다. 자연색은 검은 색이다. 녹색이 식물의 본질적인 색채인 것처럼 타버린 숯은 검은색으로 남는 본질적인 색상이다. 절대적인 어둠 속에서 어떤 생명의 운동도 있을 수 없다. 검은색은 생명에 대한 이질적(異質的)이고 적대성 (敵對性)이 있다. 검은색이 자연의 본질(本質)이라면, 검은색은 죽음의 영적(靈的)인 영상이다. 흰색이 검은색과 결합(結合)할 때 명암(明暗)이 이뤄진다. 흰 화면에 검은색을 칠하면 靈이 흰 화면에 이입(移入)된다. 검은 선(線), 검은 면(面)과 만날 때, 흰색은 부활(復活)한다. 검은 색을 통하여 영을 표현할 수 있다. 영(靈)이란 검은색 속에 이입될 수 있는 유일한 것이며, 영과 혼의 색채 흑(黑), 백(白)을 결합(結合)하면 신비함을 갖는다. 그리고 펜의 예술은 자연의 근본적인 색채의 본질 에서부터 시작하여 근본적인 색채의 본질에서 끝을 맺는다. 근본적인 본질은 무한(無限)하고 영원함이 있으며, 흑, 백의 조화는 예술적(藝術的)으로 충분히 살아 숨쉴 수 있다. 그것은 오랜 시간을 통하여 다듬고 완성된 경지를 이룬 뒤에야 가능하고, 혼(魂)을 담는 완벽한 선율이 전제 되어야 한다. 흑, 백의 조화 속에 고고(孤高)하고 생생한 선율이 흰 화면에 영이 이입될 때 비로소 영의 세계는 창조(創造)된다. 그것이 진정한 펜의 예술이다. 이영준( 李永俊)

Kevin Parker

Okay. Right. A museum dedicated to milling flour. How interesting can that be? The answer: Simply fascinating! It is difficult to describe just how much creativity went into designing this museum. It is housed in the burned-out remains of the old Washburn A Mill, which for decades was General Mills leading production facility. The Mill discontinued operation in the 1960s, sat vacant for nearly 30 years, and then burned in a spectacular fire in the 1990s. And then... Instead of razing the charred remains, in a stroke of genius, they salvaged and remodeled the structurally sound part of the building, and converted it into one of the most unique and spectacular museums I have ever been in. The way they left the ruined part of the building stand and incorporated it into the modern museum is just wonderful. The view of the Mississippi River from the 8th floor observation deck is awesome. It was also interesting to learn just how important flour milling was to the Minneapolis economy, and how that one industry helped Minneapolis become the thriving metropolis that it is today. The museum also has a theater where we were treated to a short, witty film produced by one of Minneapolis local historians. In all, I had a wonderful experience there, and I would recommend this museum to anyone regardless of their interests or tastes.

Quentin Smith

This is a very good way to learn about history in Minneapolis! I didnt realize how many businesses started here and how important Minneapolis was to the United States in the early 1900s late 1800s. That being said the whole museum is very clean. It is very child friendly with some interactive activities (build your own cereal box, puzzles, activities with water). It is also very interesting for adults hearing first hand what life was like in the mill. I also find the old commercials for general mills, Pillsbury, etc very funny. By far, my favorite, is the grain elevator! This is included with the tour and is a very creative way of presenting history. At the end you get a very good view of the Stone Arch Bridge from the top of the mill. Im not exactly sure how much it costs but I would recommend getting a Minnesota Historical Society membership if you like history. I have one which was discounted on groupon to around $30 (i think original is $50). This allows me to go for a free and bring a friend. It also includes all the other historical sites in Minnesota. I have already exceed the amount payed for going to Mill City twice with friends. Hope you enjoy it as much as I did and remember to go try the free samples in the baking area!

Patrick Villacorta

When researching attractions in the twin cities, I was honestly surprised that a museum about flour production had such good reviews. Sort of at the last minute, due in large part to the weather, I decided to go here instead of Como Zoo & Conservatory. The exhibits themselves are OK. Most, if not all, of them are interactive so very kid friendly. There is also a baking lab that sounds interesting but wewerent able to visit it. But I believe that what makes this museum great are (in ascending order) the short history film and the elevator ride. The short film is a humorous take on the history of Minneapolis. The elevator ride is harder to explain. It also recounts history of the building as you go up and down through the floors. I think this alone is already worth the price of admission. As a bonus, at the end of the elevator ride, you are treated to a great view over the nearby St Anthony Falls and the Stone Arch Bridge. For parking, Mill Quarter Parking Ramp and Riverfront Municipal Parking Ramp have been suggested. We just did street parking though. If you decide to stay longer in the area, street parking will be inconvenient as there is a time limit.